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Stereo master fader pro tools12/25/2022 ![]() It’s particularly apt because it implies that an audio signal is like water. You’ve probably heard the term signal flow. It would be silly to take the left and right outputs from the mixer and connect them to a reverb unit because (a) it would be impractical, and (b) you’d get reverb on every channel - probably not a good thing. The channel it’s connected to is already feeding the vocal to the left and right speakers. Suppose you want to add reverb to a vocal microphone that’s plugged into your mixer. In the case of the latter, there will be physical output jacks on the mixer (usually on the rear panel) that enable you to connect whatever external devices you want to receive this signal. In other cases, aux sends are “external,” meaning that they feed signal completely out of the mixer to another device altogether. Aux sends are sometimes labeled with different names such as “effects send ,” “FX send ,” MON (short for “monitor”) or even “foldback,” but they all work the same way: They serve as a secondary output from a channel that routes the signal to a place other than the main left and right speakers.ĭepending upon the mixer, aux sends may be “internal,” meaning that they send a signal to an onboard effects processor like the one in the Yamaha MG10XU. That’s the primary purpose of an aux send. However, there are times when you may also need to send a signal somewhere else - like, for example, to an effects processor such as a reverb or delay unit. ![]() This makes a lot of sense because we want to hear those sounds in the PA system. When doing live sound, microphone inputs are typically sent to the left/right or main mix. In this article, we’ll take a closer look at these important controls. In the first of our two-part series on using reverb and delay, we touched briefly on aux (short for “auxiliary”) sends and returns.
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